The Library
The Library by Leo Crane.
Who?
All visual elements, from script to screen, were made by Leo Crane for his MA in 3D Computer animation at Bournemouth University The music was composed by the talented Andrew Hayes, who was involved in the production from the start.
What?
Annie’s day at The Library starts like any other, but the intriguing man who takes the seat opposite her encourages her thoughts to stray. Theo is equally distracted, not least by his books on the Renaissance nude, which set his mind – and pulse – racing. This 4-minute computer animation takes the viewer into their fantasies to share in what could happen if library etiquette is overridden by carnal urges.
Why?
I was inspired by the London Library, a beautiful independent library in the heart of the city. There is a wonderful intensity to the silent relationships between people who see each other every day, but never exchange a word. When imagination is further stimulated by books, who knows what thoughts pass through their heads… In developing the concept, I was inspired by the pace and edit of the animated film ‘Repete’ and the way its Director Michaela Pavlátová manipulates the relationships between her characters. I was also inspired by Pina Bausch, whose dance choreography uses repeated movement to create intensity. Further inspiration came from an early Lynx advert, which built sexual intensity through clear visual metaphors.
How?
The Library is a 3D Animation, made with XSI Softimage, Zbrush and Nuke. Textures were made in Photoshop, with Mari used to minimise seams. The images in the books were made using a traditional lino-cut technique, scanned, Photoshopped and animated in Nuke. These image sequences were then applied to a 3D model of a book. Editing was in Adobe Premiere.
Next Project?
I’ve just started storyboarding a new idea set in an art gallery. I’m exploring the connection between religious and sexual ecstasy, with a bit of death thrown in. Who knows where that will lead!
Which animated film would you like to have made?
Repete by Michaela Pavlátová – it’s perfect. Second choice would be Lotte Reiniger’s Prince Achmed.
